Even though it was raining
she tried putting the kettle back on
insisting that its blackness
would urge it to remain. The birds
laughed at her, taking wings
from their baskets to unfold
and watching the ivory settle
down on the indigo field. From heaven
someone opened the windows
to let the day out, and all
her buttons dropped to the floor,
clad as she was in nothing
but blue garnished from the sea.
He gave it back to her, rubbing
his knuckles on the concrete
kneading it into play so that
the moths wouldn't get stuck anymore.
They poured tea from their mouths
shooting back dirty looks from their wings
but they were always cranky in the morning.
She still lifted the table to look
for droppings that would suggest presence
a company to hold the house down
from flying into the wind. Oh well;
nothing could keep her from singing at day
even if the kettle wouldn't stick
to the stove and the cat wailed to stop dreaming.
Sunday, November 28, 2010
Friday, November 12, 2010
nothing like a food poem
Eating
He ate poetry
out of the weird, glorious curve
of her arm.
Strawberries made him hungry
while she starry-eyed
questioned him, picking
pistachios from his ears,
saying, eat. Dear figs
tumbled shortly from her lips--
her lips that said eat.
Dried slices of bacon crinkled
the corners of his mouth;
smiling sausages revealed
his dimples.
Eat, he questioned,
drawing tenderized chews
from her flesh, remembering
to say, eat. Remembering
to touch the dates that gathered
in her knees, remembering
to eat the soft, knowing
dishes that they offered
in silent light
to one another.
He ate poetry
out of the weird, glorious curve
of her arm.
Strawberries made him hungry
while she starry-eyed
questioned him, picking
pistachios from his ears,
saying, eat. Dear figs
tumbled shortly from her lips--
her lips that said eat.
Dried slices of bacon crinkled
the corners of his mouth;
smiling sausages revealed
his dimples.
Eat, he questioned,
drawing tenderized chews
from her flesh, remembering
to say, eat. Remembering
to touch the dates that gathered
in her knees, remembering
to eat the soft, knowing
dishes that they offered
in silent light
to one another.
Thursday, November 11, 2010
Love poem
I'm looking
for the man with figs
in his ears.
He can give me
clementines
for my heart. He
has the creamy
moon in his pocket.
I'm hungry for it.
The woman with
the coral braids
told me I might
find him, sitting
on the sea.
I had to shake
her broken shells
on the ground
and whisper ash
over them, praying
to the dusky fire
for love and penance.
When I found him,
it was as if he made
himself from shell,
brittle and hard.
He held up
a mirror to my face,
and looked at it
in another behind me.
He smiled. The man
with the figs
in his ears, the man
made of shells.
for the man with figs
in his ears.
He can give me
clementines
for my heart. He
has the creamy
moon in his pocket.
I'm hungry for it.
The woman with
the coral braids
told me I might
find him, sitting
on the sea.
I had to shake
her broken shells
on the ground
and whisper ash
over them, praying
to the dusky fire
for love and penance.
When I found him,
it was as if he made
himself from shell,
brittle and hard.
He held up
a mirror to my face,
and looked at it
in another behind me.
He smiled. The man
with the figs
in his ears, the man
made of shells.
Wednesday, November 10, 2010
Beginning of a long poem...
i.
He was something loose at the edges he was
all untied and open at his perimeters his
waving borders so loose in the wind fitting
that he would look so fly away so somewhere
absent from here where you saw him
ii.
These are the branches that came out
of his mouth his voice bloomed with trees
dogwood and mistletoe tumbled from his
vocal strings minute wires clung to trembling
green vibrato But he spoke through nets
of leaves often his voice caught
in the foliage
iii.
Where did you come from dark-eyed waif?
Wanderer where did you ask the sun
for directions with his hands clasped he's
holding moon under his tongue --tree man
so inexorable in his carcas why did he
loose his ivory tongue on the hills?
The crows crawled up then they dug
their hooked wings into the earth hard nails
that scratched on limestone Toward him
black smothering rings spun slow ascent
but he was in the desert the implacable
desert and the open --which was like
a door--was more the frame of his
wilderness than the scrawling emptiness
He was something loose at the edges he was
all untied and open at his perimeters his
waving borders so loose in the wind fitting
that he would look so fly away so somewhere
absent from here where you saw him
ii.
These are the branches that came out
of his mouth his voice bloomed with trees
dogwood and mistletoe tumbled from his
vocal strings minute wires clung to trembling
green vibrato But he spoke through nets
of leaves often his voice caught
in the foliage
iii.
Where did you come from dark-eyed waif?
Wanderer where did you ask the sun
for directions with his hands clasped he's
holding moon under his tongue --tree man
so inexorable in his carcas why did he
loose his ivory tongue on the hills?
The crows crawled up then they dug
their hooked wings into the earth hard nails
that scratched on limestone Toward him
black smothering rings spun slow ascent
but he was in the desert the implacable
desert and the open --which was like
a door--was more the frame of his
wilderness than the scrawling emptiness
Wednesday, November 3, 2010
No one reads this anyway...
Woman on 2nd St., Reading
The women are gathered on the street to dance.
Their hands pull flowers from the median,
raking them together with yellow scissors.
Their coats are full as though stuffed with birds.
Their hands pull flowers from the median,
a simple form of currency that smells lovely.
Their coats are full as though stuffed with birds
and their pockets are filled with roots and birdseed.
It's a simpler form of currency that smells nice,
and it'll get a cracked teapot at Sadie's.
Her pockets are full of roots and birdseed
that she hands to the woman, her hands to hands.
She'll get a cracked teapot from Sadie's
and she'll make tea in it from Second Street flowers
that she handed to the woman, hands in hands.
Her hands are the ones that dug the flowers.
She'll make tea from Second Street flowers,
and pour it in the birdbath on the roof.
Her hands (the ones that dug the flowers)
are wide like spades, cold at evening.
Pouring tea in the birdbath on the roof
she'll dream of baths & touch her hands,
wide like spades, as cold as evening.
The birds are dancing on the Second Street flowers.
She dreams of baths & touches her hands.
Tomorrow, the ground will be just a bit colder.
The birds will dance on the Second Street flowers.
The women will gather on the street to dance.
to Dad
The women are gathered on the street to dance.
Their hands pull flowers from the median,
raking them together with yellow scissors.
Their coats are full as though stuffed with birds.
Their hands pull flowers from the median,
a simple form of currency that smells lovely.
Their coats are full as though stuffed with birds
and their pockets are filled with roots and birdseed.
It's a simpler form of currency that smells nice,
and it'll get a cracked teapot at Sadie's.
Her pockets are full of roots and birdseed
that she hands to the woman, her hands to hands.
She'll get a cracked teapot from Sadie's
and she'll make tea in it from Second Street flowers
that she handed to the woman, hands in hands.
Her hands are the ones that dug the flowers.
She'll make tea from Second Street flowers,
and pour it in the birdbath on the roof.
Her hands (the ones that dug the flowers)
are wide like spades, cold at evening.
Pouring tea in the birdbath on the roof
she'll dream of baths & touch her hands,
wide like spades, as cold as evening.
The birds are dancing on the Second Street flowers.
She dreams of baths & touches her hands.
Tomorrow, the ground will be just a bit colder.
The birds will dance on the Second Street flowers.
The women will gather on the street to dance.
to Dad
Tuesday, November 2, 2010
Considering things I never saw
Scream
When I tried to throw myself in
after her
they held me back, clinging
hands of life
moaning to my stretched skin
to remain with them
here on the mirror's side
of grief.
And there, of course, she was,
reflected boldly
in the clear light of the mirror,
moving as though
to ward off the movements
we made
on the other side of her jump
.
When I tried to throw myself in
after her
they held me back, clinging
hands of life
moaning to my stretched skin
to remain with them
here on the mirror's side
of grief.
And there, of course, she was,
reflected boldly
in the clear light of the mirror,
moving as though
to ward off the movements
we made
on the other side of her jump
.
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